Nuestra propuesta es comprender el modo en que Bernardo desarrolló ese concepto en su obra, sus definiciones cristianas más humanísticas, sus nociones metafísicas y sus consideraciones acerca del imperativo que rige la colaboración entre la Naturaleza y la Gracia. Para Bernardo, las facultades de la Naturaleza humana son iguales para todos, pero inútiles sin la Gracia.
Some aspects of the philosophical discourse and the medieval rhetoric elements contained in the sermons of Saint Vincent Ferrer (1350-1419), especially his thoughts about a theme currently and universally present in the Christian Middle Ages: the moral virtues or cardinal virtues.
The biblical theme Susanna and the elders in the History of Art – in seven artists: the Master of Fauvel (Anonymous master, 14th century), Domenico di Michelino (1417-1491), Lorenzo Lotto (c. 1480-1556), Jan Massys (c. 1510-1575), Jacques-Antoine Beaufort (1721-1784), Francesco Hayez (1791-1881), and Artemisia Gentileschi (1593-1623).
First part of the book Aesthetics.
The purpose is to present some characteristics and peculiarities of the first translation of Lo Somni, by Bernat Metge, to Portuguese, realized by Ricardo da Costa and revised by Armando Alexandre dos Santos. For this, we will comment some literary aspects more typically humanists of the work. Lastly, we will discourse about the reception of the metgian text for the Portuguese language.
Welcome! Here you will find my resume, books, articles and medieval documents translated to Portuguese.
