Páginas

158

No Fim dos Tempos

O Livro contra o Anticristo (1276) de Ramon Llull (1232-1316)

Analysis of the medieval apocalyptic tradition regarding the figure of the Antichrist, with a study of Ramon Llull’s philosophical arguments to face him. Structured in three Distinctions, The Book against the Antichrist (1276), by the Catalan philosopher, aims to prepare religious people to lead a holy life and rationally combat the fallacies of the Antichrist.

Artigo em construção

157

Música e Pintura no tempo de Afonso V (1396-1458), o Magnânimo

Study of Renaissance Music and Spanish-Flemish Painting from the Neapolitan Court of the Crown of Aragon during the reign of Alfonso V of Aragon, the Magnanimous (1396-1458) at the time of the Poetry of Ausiàs March (c.1397-1459).

Artigo em construção

156

Flechas de ouro o Amor todas lançou!

Ausiàs March (c. 1397-1439) e as vítimas do Amor

Analysis of Poem LXXIX by the Valencian poet Ausiàs March in which the classic allegory of the arrows of Love is developed for a poetic meditation on the authentic love from past lovers.

Artigo em construção

155

A experiência de traduzir a novela Curial e Guelfa (séc. XV) para a língua portuguesa

The purpose of this article is to present our translation of the humanist novel of chivalry from the fifteenth century Curial e Güelfa and discuss some of our crossroads, choices, and attempts to bring to the reader’s mind the culture of the past and keep it alive in his thoughts, respecting the paradoxes of time and the multifaceted of life of their social characters.

Artigo em construção

146

O Triunfo da Morte (c.1562) de Bruegel, o Velho (c.1525-1569)

Uma leitura sonora do macabro espetáculo artístico

Analysis of the macabre themes exposed in the famous painting The Triumph of Death (c.1562), by Bruegel the Elder (c.1525-1569). My interpretive proposal is to appreciate the images from the musical suggestions that the artist represents, and that the density of the drama of existence in the face of death can be understood more profoundly with the confrontation of the painting’s images with the musicality of the instruments and the sound of scenes.

138

Ética e Estética da Música

Na filosofia de Ramon Llull (1232-1316)

Brief exposition of the importance of Music in Western aesthetic thought. Since Plato, and later, in the Middle Ages, San Isidore of Seville, Guido of Arezzo and Ramon Llull, all had thinkers who did meditations on the importance of the aesthetics of harmonic sounds for human existence. In relation to Llull, we deal with the subject from the works Doctrina pueril (c. 1274-1276), Fèlix o el Libre de meravelles (c. 1289), Arbre de Ciència (c. 1295-1296), Ars generalis ultima (c. 1305), Ars brevis (1308) and especially, the Libre de contemplació en Déu (c. 1273-1274).

Páginas