Páginas

157

A Roda da Fortuna nos Dictats de Ausiàs March (c. 1397-1439)

The allegory of the Wheel of Fortune is a recurring theme in medieval thought, particularly in Philosophy and Literature. The notion of fortune was inherited from a double tradition and adapted by Ausiàs March (c.1397-1439) to literary use. We must, therefore, deal with this allegory in the Dictats, by March, and show how the Valencian poet literarily developed the theme of the instability of the Wheel of Fortune in his poems.

Artigo em construção

156

No Fim dos Tempos

O Livro contra o Anticristo (1276) de Ramon Llull (1232-1316)

Analysis of the medieval apocalyptic tradition regarding the figure of the Antichrist, with a study of Ramon Llull’s philosophical arguments to face him. Structured in three Distinctions, The Book against the Antichrist (1276), by the Catalan philosopher, aims to prepare religious people to lead a holy life and rationally combat the fallacies of the Antichrist.

Artigo em construção

148

O Triunfo da Morte (c.1562) de Bruegel, o Velho (c.1525-1569)

Uma leitura sonora do macabro espetáculo artístico

Analysis of the macabre themes exposed in the famous painting The Triumph of Death (c.1562), by Bruegel the Elder (c.1525-1569). My interpretive proposal is to appreciate the images from the musical suggestions that the artist represents, and that the density of the drama of existence in the face of death can be understood more profoundly with the confrontation of the painting’s images with the musicality of the instruments and the sound of scenes.

140

Ética e Estética da Música

Na filosofia de Ramon Llull (1232-1316)

Brief exposition of the importance of Music in Western aesthetic thought. Since Plato, and later, in the Middle Ages, San Isidore of Seville, Guido of Arezzo and Ramon Llull, all had thinkers who did meditations on the importance of the aesthetics of harmonic sounds for human existence. In relation to Llull, we deal with the subject from the works Doctrina pueril (c. 1274-1276), Fèlix o el Libre de meravelles (c. 1289), Arbre de Ciència (c. 1295-1296), Ars generalis ultima (c. 1305), Ars brevis (1308) and especially, the Libre de contemplació en Déu (c. 1273-1274).

Páginas