Ramon Llull (1232-1316) e o modelo cavaleiresco ibérico
O Libro del Orden de Caballería
The simbolism of the knight's weapons described by Ramon Llull in his Book of Chivalry Order.
The simbolism of the knight's weapons described by Ramon Llull in his Book of Chivalry Order.
As the Middle Ages acquired new delicate body expressions in Art with Gothic, the artists felt more at ease to experience new gestures of the human body. For that, Christ continued to be the aesthetic reference. The theme of the Descent from the Cross served as the basis for this bodily experimentalism. Our proposal is to ascertain the different nuances of these new expressions between 14th and 15th centuries.
The work analyses the historic possibilities by utilization of literary texts. For that, approaches the novel of chivalry from the fifteenth century Curial e Güelfa, prose considered one of the jewels by Catalan Humanism.
Iconographic analysis of medieval frescoes about hell with the confrontation of biblical texts, philosophers and writers of the thirteenth century.
Analysis of the macabre themes exposed in the famous painting The Triumph of Death (c.1562), by Bruegel the Elder (c.1525-1569). My interpretive proposal is to appreciate the images from the musical suggestions that the artist represents, and that the density of the drama of existence in the face of death can be understood more profoundly with the confrontation of the painting’s images with the musicality of the instruments and the sound of scenes.
Welcome! Here you will find my resume, books, articles and medieval documents translated to Portuguese.