170
Ecce homo
O desamparo, melancólico sofrimento na Arte
Iconographic study of paintings of Spanish Art (15th-17th centuries) with artistic representations of a moment of the Passion: the Ecce homo and the melancholy of helplessness.
Palavra-chave: História da Arte
166
O Sorriso e a Música, a Cor e o Esplendor
O Pórtico da Glória (1168-1188) da Catedral de Santiago de Compostela
Analysis of the style, shapes, musicality, colors and characters in the Portico of Glory of the Cathedral of Santiago de Compostela, Galicia, Romanic Masterpiece by architect and sculptor Master Mateo (fl.1161-1227).
162
O Reino do Espírito na transcendência da imagem de Cristo
O Bom Pastor na Arte Paleocristã (sécs. III-IV)
The aim of this paper is to analyse the iconographic theme of the Good Shepherd in Paleochristian Art and the reasons for its popularity above all in the sculptural sarcophagus art of the period.
146
O Triunfo da Morte (c.1562) de Bruegel, o Velho (c.1525-1569)
Uma leitura sonora do macabro espetáculo artístico
Analysis of the macabre themes exposed in the famous painting The Triumph of Death (c.1562), by Bruegel the Elder (c.1525-1569). My interpretive proposal is to appreciate the images from the musical suggestions that the artist represents, and that the density of the drama of existence in the face of death can be understood more profoundly with the confrontation of the painting’s images with the musicality of the instruments and the sound of scenes.
148
A Alegoria
Do Mundo Clássico ao Barroco
The Allegory (ἀλληγορία) was a literary, philosophical and aesthetic resource widely used by Western cultural tradition. It enriched the mental and artistic universe to the point of becoming a poetic topos (τόπος). Artistic. The objective of this paper is to discuss the importance of allegory for Literature and Art. From the Ancient World to the Baroque.
147
Os camponeses na arte de Bruegel, o Velho (c.1525-1569)
Genre painting, a tradition in History of Art, was very developed by Bruegel the Elder (c. 1525-1569). His scenes of daily peasant life profoundly marked the memory we have of pre-industrial Europe. The purpose of this paper is to analyze his image of the peasant: his life, parties, dances and remarkable moments of its existence.
160
O Descendimento
Novas expressões corporais na Arte
As the Middle Ages acquired new delicate body expressions in Art with Gothic, the artists felt more at ease to experience new gestures of the human body. For that, Christ continued to be the aesthetic reference. The theme of the Descent from the Cross served as the basis for this bodily experimentalism.
143
Volúpia e Desejo
Susana e os Anciãos na Arte
The biblical theme Susanna and the elders in the History of Art – in seven artists: the Master of Fauvel (Anonymous master, 14th century), Domenico di Michelino (1417-1491), Lorenzo Lotto (c.1480-1556), Jan Massys (c.1510-1575), Jacques-Antoine Beaufort (1721-1784), Francesco Hayez (1791-1881), and Artemisia Gentileschi (1593-1623).
43
A Taula de Sant Miquel (séc.XIII)
Do Mestre de Soriguerola (Baixa Cerdanha-Catalunha)
Iconographic study of the Gothic frontal by Master of Soriguerola.