“A falsidade dos judeus é grande”: uma representação de judeus nas Cantigas de Santa Maria (séc. XIII)
Brief iconographic analysis of Cantiga 25 by Cantigas de Santa Maria, which is narrated a miracle of the Virgin with a loan of money from a Jew to a Christian, and consequently miraculous conversion of the Jew.
On the occasion of the celebration of the 15th anniversary and the publishing of the volume #200 of the academic journals of Cemoroc, Centro de Estudos Medievais Oriente & Ocidente (Edf-Feusp), this article presents the landmarks of this editorial history concerning Medieval studies.
In this essay I intend to highlight the theological character of Greek philosophy, particularly in Plato, Aristotle and Seneca, to conclude to, in its transcendental aspect, medieval philosophy did nothing more than enhance and deepen this particularity philosophical, but essential, of Greek thought.
The purpose of this paper is to present and analyze the aesthetic ideas of Umberto Eco (1932 -) in his book Art and Beauty in the Middle Ages (1987), particularly the aesthetic sensibilities and interests of medieval themes in the metaphysics of light (claritas), the symbolism and the allegory, and the aesthetic vision of the universe.
This work will examine the concept of soul developed in mysticism of abbot Bernard of Clairvaux (1090-1153). For this, I will analyze extracts of five writings namely the Third Series of Sentences, three of his Liturgical Sermons, and the parabola The Three Children of the King.
The purpose of this paper is to present our translation of the aforementioned work, the first to be made into Portuguese (directly from the original 1399 text, in Ancient Catalan), and analyze the importance of the theme of the Dreams and the oniric universe to Philosophy, since Bernat's text bears a close relationship to Boethius' Consolation of Philosophy.