The allegory of the Wheel of Fortune is a recurring theme in medieval thought, particularly in Philosophy and Literature. The notion of fortune was inherited from a double tradition and adapted by Ausiàs March (c.1397-1439) to literary use. We must, therefore, deal with this allegory in the Dictats, by March, and show how the Valencian poet literarily developed the theme of the instability of the Wheel of Fortune in his poems.
Iconographic analysis of three iluminures contained in The Great Book of Manuscripts Songs of Heidelberg (XIII century). Second part.
Iconographic study of medieval images about martyrdom and miracles attributed to Thomas Becket.
Two examples of textual and imagistic representations of Dominican and Franciscan friars contained in the Cantigas de Santa María.
Analysis of the academic studies about the Middle Ages in the State of Espírito Santo (ES-Brazil).
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