Textos
© by Ricardo da Costa © 1995-2022
All rights reserved.
Páginas
132
A Estética
Na Antiguidade e na Idade Média
First part of the book Aesthetics.
131
Desconsolado, el filósofo mira al Cielo
El Tratado de Astronomía (1297) de Ramón Llull (1232-1316)
Analysis of Tractat d'Astronomia (1297) of Catalan Philosopher Ramon Llull.
130
Guerra nas Estrelas
A metáfora artística da sociedade medieval no macrocosmo astrológico do Homem Zodiacal
The importance of Astrology / Astronomy in the Middle Ages, especially the artistic metaphor of the Zodiacal Man as a microcosm of the Universe Revolution.
129
A sapientia christiana e a analogia das artes liberais em um Sermão de São Vicente Ferrer (1350-1419)
This article contains an exposition and an analysis on the theme of the Liberal Arts in a sermon of Saint Vincent Ferrer, renowned Dominican Valencian preacher during the passage between the fourteenth and fifteenth centuries. We intend to show that the Liberal Arts are addressed by the sermonist within the traditional theoretical scope of classification of sciences in the medieval period, as branches of knowledge for the service of the higher science, Theology, to avail the scholastic dictum philosophia ancilla theologiae.
128
A Melancolia
Na filosofia de Ramon Llull (1232-1316)
The Melancholy in the writings of the philosopher Ramon Llull.
127
A Inveja
Na Arte Medieval e Renascentista
Envy is one of the Seven Deadly Sins and a classic theme in Medieval and Renaissance Art. Our purpose is to analyze some of the more traditional images on the subject.
126
A lepra medieval e a Medicina metafórica de Ramon Llull (1232-1316)
Leprosy in Middle Ages, its history, medical perception and social attitude toward manifestation of the disease. We present some excerpts from Començaments de Medicina (The Principles of Medicine) by the philosopher Ramon Llull (1232-1316) which presents the theoretical foundations of his Medicine: a metaphorical art that links the Hippocratic four elements and Theology using numeric symbolism.
125
A Música
Uma das chaves para a compreensão do Tempo
The purpose is to present the methodology of the Spanish historian José Enrique Ruiz- Domènec (1948- ) for the study of the Past: the appreciation of Music – one of the seven Liberal Arts – in historical studies as a key element for understanding the history of cultures in time.
124
La Retòrica Nova (1301) de Ramón Llull
La Belleza a servicio de la conversión
Nuestra propuesta es presentar el concepto de Belleza en las obras Retòrica Nova (1301) y el Llibre de contemplació (1271-1274) del filósofo Ramón Llull, idea central retórica para convertir el mundo al Cristianismo, y mostrar sus respectivos temas, exempla y proverbios.
123
Ali haverá pranto e ranger de dentes
O Inferno na Arte e na Filosofia da Idade Média
Iconographic analysis of medieval frescoes about hell with the confrontation of biblical texts, philosophers and writers of the thirteenth century.
122
Os camponeses medievais na arte de Benedetto Antelami (c.1150-1230)
O Ciclo do Trabalho e os Meses do Batistério de Parma
The purpose is to present a ripe fruit of artistic renewal (renovatio) from the XII century: the representations of peasant life in the sculptures of Benedetto Antelami exposed in the Baptistery of Parma.
121
Entendo por céu a ciência e por céus as ciências
As sete Artes Liberais no Convivio (c. 1304-1307) de Dante Alighieri
The contents of the Second Book of Convivio (c. 1304-1307) from Dante and discuss the philosophical foundations of his analogy between seven Liberal Arts and seven planets.
120
O Belo e o Amor
Em Ibn Sīnā (980-1037)
This paper analyses the subjects of Love and Beauty in the Risalah fi’l- ‘ishq (A Treatise on Love) of the philosopher Ibn Sīnā (980-1037).
119
A contemplação anagógica
Na Abadia de Saint-Denis
(séc. XII)
To reform the Abbey with a New Aesthetic (later to be known as Gothic), Suger used art to convey his interpretation of Christian theology, and so materialize, artistically, tangible means by which one could ascend from the material to the immaterial.
118
A Anamnese Estética de Umberto Eco (1932-2016)
The aesthetic ideas of Umberto Eco (1932-2016) in his book Art and Beauty in the Middle Ages (1987), particularly the aesthetic sensibilities and interests of medieval themes in the metaphysics of light (claritas), the symbolism and the Allegory, and the aesthetic vision of the Universe.
117
São Vicente Ferrer (1350-1419) e a eficácia filosófico-retórica do sermão
Arte e Filosofia
Some aspects of the philosophical discourse and the medieval rhetoric elements contained in the sermons of Saint Vincent Ferrer (1350-1419), especially his thoughts about a theme currently and universally present in the Christian Middle Ages: the moral virtues or cardinal virtues.
116
Os novos desafios do Fim da História
The crisis of History and decay of Historical Consciousness in the Postmodern era of the absolute Relativism.
115
Entre Chartres e Amiens
A vida cotidiana dos camponeses medievais na Arte (séc. XIII)
Iconographic study of images of medieval peasants in Chartres and Amiens cathedrals.
114
A arquitetura sagrada e a Natureza nas Cantigas de Santa María
The purpose is to analyze the iconography illuminations from three songs and one praise presents in the Cantigas de Santa María, by Alfonso X the Wise (1221-1284).
113
Corpo transgredido, locus profanado
O martírio de Tomás Becket (c. 1118-1170) na arte medieval
Iconographic study of medieval images about martyrdom and miracles attributed to Thomas Becket.
112
No sermon mui gran gente que y era
Os frades pregadores nas Cantigas de Santa María (séc. XIII)
Two examples of textual and imagistic representations of Dominican and Franciscan friars contained in the Cantigas de Santa María.
111
A Tragédia de Caldesa (c.1458)
Multilingual Joan Roís de Corella – The Relevance of a Fifteenth-Century Classic of the Crown of Aragon.
110
O Regimen sanitatis (1308) de Arnau de Vilanova (c.1238-1311)
E sua prescrição da boa dieta
The Regimen sanitatis by physician Catalan Arnaldus de Villa Nova, with emphasis on diet prescribed by the author for the prevention of disease and the search for better health.
109
Bernat Metge (1340-1413) nos trópicos
Um humanista catalão no Brasil
The purpose is to present some characteristics and peculiarities of the first translation of Lo Somni, by Bernat Metge, to Portuguese, realized by Ricardo da Costa and revised by Armando Alexandre dos Santos. For this, we will comment some literary aspects more typically humanists of the work. Lastly, we will discourse about the reception of the metgian text for the Portuguese language.
108
Tensões existenciais de um sonho
O caráter pedagógico-moral de Lo Somni (1399) de Bernat Metge (1340-1413)
Brief analysis of Lo Somni (1399) work of Bernat Metge, particularly the educational and moral point of view.