Textos
© by Ricardo da Costa © 1995-2024
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Páginas
143
O Tribunal do Santo Ofício
Representações inquisitoriais em Pedro Berruguete (c.1450-1504), Goya (1746-1828) e Cristiano Banti (1824-1904)
The mith of Inquisition in the iconographic interpretation of three artistic representations: Pedro Berruguete (c.1450-1504), Goya (1746-1828) and Cristiano Banti (1824-1904).
142
Volúpia e Desejo
Susana e os Anciãos na Arte
The biblical theme Susanna and the elders in the History of Art – in seven artists: the Master of Fauvel (Anonymous master, 14th century), Domenico di Michelino (1417-1491), Lorenzo Lotto (c.1480-1556), Jan Massys (c.1510-1575), Jacques-Antoine Beaufort (1721-1784), Francesco Hayez (1791-1881), and Artemisia Gentileschi (1593-1623).
141
A Retórica
Na Antiguidade e na Idade Média
The Rhetoric in Antiquity and the Middle Ages from the perspective of eleven philosophers. It also offers an extract from us translated from the New Rhetoric (1301) of the Catalan philosopher Ramon Llull (1232-1316), the first translation into Portuguese.
140
Um tributo à arte de ouvir
O amor cortês nas cançons de Berenguer de Palou
(c.1160-1209)
The concept of courtly love in eight songs (cançons) of the Catalan medieval troubadour Berenguer de Palou.
139
Ética e Estética da Música
Na filosofia de Ramon Llull (1232-1316)
Brief exposition of the importance of Music in Western aesthetic thought. Since Plato, and later, in the Middle Ages, San Isidore of Seville, Guido of Arezzo and Ramon Llull, all had thinkers who did meditations on the importance of the aesthetics of harmonic sounds for human existence. In relation to Llull, we deal with the subject from the works Doctrina pueril (c.1274-1276), Fèlix o el Libre de meravelles (c.1289), Arbre de Ciència (c.1295-1296), Ars generalis ultima (c.1305), Ars brevis (1308) and especially, the Libre de contemplació en Déu (c.1273-1274).
138
Trabalha e Confia
As idades médias capixabas
Analysis of the academic studies about the Middle Ages in the State of Espírito Santo (ES-Brazil).
137
Ausiàs March. Dictats. Obra completa
Resenha
Review of the Complete Works of the Valencian poet Ausiàs March (1400-1459), edited by Robert Archer.
136
Ramon Llull (1232-1316) foi o filósofo da tolerância na Idade Média?
O Livro do Tártaro e o Cristão (1288)
Analysis of the concept of tolerance and its inapplicability to the study of relations between religions in the Middle Ages.
135
Memorial Acadêmico (1981-2016)
Academic Memorial presented on April 26, 2017 to a Special Commission to progress to the last level of academic career in Brazil (Professor Titular).
134
As múltiplas Idades Médias de Jacques Le Goff (1924-2014)
The Multiple Middle Ages investigated by Jacques Le Goff (1924-2014) in his academic career: civilization, imaginary, cities, bankers, daily life, intellectuals, Saint Louis (1214-1270).
133
A Poética do Corpo
Expressões e gestos no Retábulo de São João Batista (1425-1430), de Bernat Martorell (1390-1452)
Étude iconographique du Retable de Saint Jean-Baptiste (1425-1430), attribué au peintre gothique catalan Bernat Martorell (1390-1452), afin d’analyser les représentations imagétiques du corps du saint, ses expressions faciales, ses gestes.
132
A Estética
Na Antiguidade e na Idade Média
First part of the book Aesthetics.
131
Desconsolado, el filósofo mira al Cielo
El Tratado de Astronomía (1297) de Ramón Llull (1232-1316)
Analysis of Tractat d'Astronomia (1297) of Catalan Philosopher Ramon Llull.
130
Guerra nas Estrelas
A metáfora artística da sociedade medieval no macrocosmo astrológico do Homem Zodiacal
The importance of Astrology / Astronomy in the Middle Ages, especially the artistic metaphor of the Zodiacal Man as a microcosm of the Universe Revolution.
129
A sapientia christiana e a analogia das artes liberais em um Sermão de São Vicente Ferrer (1350-1419)
This article contains an exposition and an analysis on the theme of the Liberal Arts in a sermon of Saint Vincent Ferrer, renowned Dominican Valencian preacher during the passage between the fourteenth and fifteenth centuries. We intend to show that the Liberal Arts are addressed by the sermonist within the traditional theoretical scope of classification of sciences in the medieval period, as branches of knowledge for the service of the higher science, Theology, to avail the scholastic dictum philosophia ancilla theologiae.
128
A Melancolia
Na filosofia de Ramon Llull (1232-1316)
The Melancholy in the writings of the philosopher Ramon Llull.
127
A Inveja
Na Arte Medieval e Renascentista
Envy is one of the Seven Deadly Sins and a classic theme in Medieval and Renaissance Art. Our purpose is to analyze some of the more traditional images on the subject.
126
A lepra medieval e a Medicina metafórica de Ramon Llull (1232-1316)
Leprosy in Middle Ages, its history, medical perception and social attitude toward manifestation of the disease. We present some excerpts from Començaments de Medicina (The Principles of Medicine) by the philosopher Ramon Llull (1232-1316) which presents the theoretical foundations of his Medicine: a metaphorical art that links the Hippocratic four elements and Theology using numeric symbolism.
125
A Música
Uma das chaves para a compreensão do Tempo
The purpose is to present the methodology of the Spanish historian José Enrique Ruiz-Domènec (1948-) for the study of the Past: the appreciation of Music – one of the seven Liberal Arts – in historical studies as a key element for understanding the history of cultures in time.
124
La Retòrica Nova (1301) de Ramón Llull
La Belleza a servicio de la conversión
Nuestra propuesta es presentar el concepto de Belleza en las obras Retòrica Nova (1301) y el Llibre de contemplació (1271-1274) del filósofo Ramón Llull, idea central retórica para convertir el mundo al Cristianismo, y mostrar sus respectivos temas, exempla y proverbios.
123
Ali haverá pranto e ranger de dentes
O Inferno na Arte e na Filosofia da Idade Média
Iconographic analysis of medieval frescoes about hell with the confrontation of biblical texts, philosophers and writers of the thirteenth century.
122
Os camponeses medievais na arte de Benedetto Antelami (c.1150-1230)
O Ciclo do Trabalho e os Meses do Batistério de Parma
The purpose is to present a ripe fruit of artistic renewal (renovatio) from the XII century: the representations of peasant life in the sculptures of Benedetto Antelami exposed in the Baptistery of Parma.
121
Entendo por céu a ciência e por céus as ciências
As sete Artes Liberais no Convivio (c.1304-1307) de Dante Alighieri
The contents of the Second Book of Convivio (c.1304-1307) from Dante and discuss the philosophical foundations of his analogy between seven Liberal Arts and seven planets.
120
O Belo e o Amor
Em Ibn Sīnā (980-1037)
This paper analyses the subjects of Love and Beauty in the Risalah fi’l- ‘ishq (A Treatise on Love) of the philosopher Ibn Sīnā (980-1037).
119
A contemplação anagógica
Na Abadia de Saint-Denis
(séc.XII)
To reform the Abbey with a New Aesthetic (later to be known as Gothic), Suger used art to convey his interpretation of Christian theology, and so materialize, artistically, tangible means by which one could ascend from the material to the immaterial.